A macabre tale of medical arrogance

in attesa di una completa ri-edizione il supplemento con i principali aggiornamenti è
 
UP-TO-DATE DOSSIERS
di/of
It's Abuse NOT Science fiction= Gli Abusi mentali, fisici e tecnologici NON sono Fantascienza

Dalla presentazione dettagliata del libro It's Abuse NOT Science fiction, e dalla data di pubblicazione - 14 luglio 2005 - molto è cambiato e molti DOCUMENTI sono stati sia sostituiti che aggiunti. In attesa di una completa nuova edizione del volume principale ne viene per ora edito un SUPPLEMENTO INTEGRATIVO per diffondere IMPORTANTI nuovi documenti di PRIMA MANO: per molte vittime risulta più facile esporre passate sofferenze per scritto che a voce UP-TO-DATE DOSSIERS non è soltanto un supplemento ma una NUOVA PUBBLICAZIONE: un autonomo VOLUME.
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The book previously published at present needs to be modified. It's Abuse NOT Science fiction published on July 14 2005 shortly became OUT OF DATE and so required to present the novelties coming from readers comments, from new deeds and - MOSTLY- on present-day flash-back disclosures - to note that for some victims it is easier to write than to speak. UP-TO-DATE DOSSIERS of It's Abuse NOT Science fiction = Gli Abusi mentali, fisici e tecnologici NON sono Fantascienza for the time being launched as supplementary book, supplementary but matching also by itself not only for propose simple improvement, rather mostly to share some new particular important DOCUMENTS.

Corso Marconi 34/a 10125 Torino (ITALY) valentina@cortinalibri.it, carlo@cortinalibri.it
Tel/Phone: +39 0116507074,+390116508665

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Questa rielaborazione del famoso Sonno della ragione di Goya - ufficialmente copyright - è resa molto più inquietante dell'originale per essere utilizzata come copertina del libro e spiegata dal Disegnatore Andrzej (Andrew) Suda / This powerful, more puzzling creative modification of the Goya's Sleep of reason - marked by the official Copyright - here is used as book cover's image, and explained by the Designer: Andrzej (Andrew) Suda: should look just like many of the events described by the victims: they  exist, are bothersome, and we don’t know exactly WHY they are there but they are there… [come molti dei fatti descritti dalle vittime: essi esistono, turbano e noi non riusciamo a conoscere esattamente il PERCHE' ci siano, ma ci sono...] About the Book This book not only documents the case of Andrzej Suda, it is also filled with documentation from the worlds most influential documented cases of psychological abuse, electronic harassment, organized stalking and mind control. Some cases include Rauni Leena Kilde MD., Dr. Reinhard Munzert, Kathy Sullivan, David Larson, and many others... Please support the truth with the purchase of our book. This will document many technologies and mind control weapons that have been kept hidden from the mainstream public. Over 600 pages of action packed TRUTH!

Alessandro Moreschi - Monte Compatri, 11
novembre 1858 – Roma, 21 aprile 1922 - l'ultimo castrato del Coro della Cappella Sistina

Castrati were a unique phenomenon in Western musical history, lasting from the late 16th c. to the mid-19th century. The practice of castrating young boys and training them for singing was never approved by the Church but authorities turned a blind eye; only the conquest of the Papal States by Italy in 1870 put an end to the practice. Alessandro Moreschi (1858-1922) entered the Sistine Chapel in 1883 and became conductor of the Choir in 1898. He is the only castrato to have ever been recorded; he retired in 1913.

Le voci dei castrati erano assolutamente le principali, le più ricercate e anche le più pagate, dell'epoca Barocca, a cui seguivano a ruota quelle dei soprani; ma la fama e la gloria erano sopratutto per i castrati, poiché la loro voce era uno strumento musicale potentissimo che racchiudeva in sé le caratteristiche delle voci maschili, femminili e bianche, il tutto amplificato da una poderosa cassa toracica, sviluppatasi come effetto della castrazione, che permetteva fiati lunghissimi e messe di voce incredibili.
L'Abate François Raguenet testimonia:

Carlo Braschi detto FARINELLI
 1705 - 1782

But in our Contemporary era, just few years ago: not to construct a "special singer" as "human nightingale", but - in a more horrifying way since its banal, private context - this mutilation happened "merely" to experiment a pseudo-successful authentication of behaviorism. The True Story of JOHN-> JOAN The Rolling Stone, December 11, 1997. Pages 54-97) presents this case for many years considered one of the main triumph for doctrine and methods of behaviorism.

(Vedi Sandro Cappelletto:
Una voce pochissimo fa (di soprato e baritono) La Stampa giovedì 6 gennaio 2005 pag 25 Cultura e spettacoli
Vedi Il castrato di Simone Bartolini).

Pare chiaro che la voce dei castrati *era molto* differente da quella delle donne: altro motivo per cui oggi, se vogliamo ricercare un "alienum", un qualcosa di differente per interpretare i ruoli dei personaggi affidati un tempo ai castrati, non si può pensare d'impiegare una voce femminile.

Ecco una storia "privata", ma autentica, la storia di un caso singolo, ma non per questo meno significativa di una certa cultura pseudo-scientifica, di un certo modo ufficialmente programmatico di NON-RISPETTARE la Natura e gli esseri umani.

Once you begin reading As Nature Made Him, a mesmerizing story of a medical tragedy and its traumatic results, you absolutely won't want to put it down. Following a botched circumcision, a family is convinced to raise their infant son, Bruce, as a girl. They rename the child Brenda and spend the next14 years trying to transform him into a her. Brenda's childhood reads as one filled with anxiety and loneliness, and her fear and confusion are present on nearly every page concerning her early childhood. Much of her pain is caused by Dr. Money, who is presented as a villainous medical man attempting to coerce an unwilling child to submit to numerous unpleasant treatments. Reading over interviews and reports of decisions made by this doctor, it's difficult to contain anger at the widespread results of his insistence that natural-born gender can be altered with little more than willpower and hormone treatments. The attempts of his parents, twin brother, and extended family to assist Brenda to be happily female are touching -- the sense is overwhelmingly of a family wanting to do "right" while being terribly mislead as to what "right" is for her. As Brenda makes the decision to live life as a male (at age 14), she takes the name David and begins the process of reversing the effects of estrogen treatments. David's ultimate successful life--a solid marriage, honest and close family relationships, and his bravery in making his childhood public -- bring an uplifting end to his story. Equally fascinating is the latest segment of the longtime nature/nurture controversy, and the interviews of various psychological researchers and practitioners form a larger framework around David's struggle to live as the gender he was meant to b. -- Jill Lightner --This text refers to an out of print or unavailable edition of this title.